| Jason Blalock (director/editor) works as a cinematographer, producer, and director on a variety of documentary and multimedia projects. Previously he served as Associate Producer on the feature documentary My Flesh and Blood, which won the Audience Award at Sundance and aired on HBO in 2003. He is the director of previous short docs Oakland Raider Parking Lot (2005), Spangled (2002), and High Rocks (1999), distributed by Peripheral Produce. Most recently he can be seen as a reporter on the PBS series Wired Science. In 2007, he completed the documentary filmmaking program at the U.C. Berkeley Graduate School of Journalism. He lives in Oakland, CA. | |||
Charlotte Buchen (cinematographer) is a journalist and filmmaker who enjoys shooting, reporting and editing in equal parts. She has shot and produced for Current TV, Newsweek.com and PBS's Frontline/World. Charlotte recently completed the documentary filmmaking program at UC Berkeley's Graduate School of Journalism. Visit www.101films.net for information about her most recent film, All the Way Home,a documentary short that tells the story of the psychological wounds of war. Charlotte can be reached at charlotte.buchen at gmail.com. |
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| Oscar Blandon (fixer) has lived in the Jinotega province since the early 1980s. He was an original member of the El Cua hydroelectric team with Mira Brown, Ben Linder and Don MacLeay, and also worked with his wife Gilda as the first plant operators. In addition to interviewing Oscar for the film, we recruited him to help us navigate the rural backroads between El Cua and Bocay. His assistance in returning to mountainous hydrolectric plants, climbing hills for the best views, and finding the surviving local members of the hydroelectric team was indespensible. | |||
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